 Nancy Reddy is the author of Double Jinx (Milkweed Editions, 2015), selected by Alex Lemon for the 2014 National Poetry Series. Her poems have appeared in Poetry Daily, Verse Daily, Fail Better, Tupelo Quarterly, 32 Poems,Smartish Pace, and elsewhere. She is Assistant Professor of Writing and First Year Studies at Stockton University in southern New Jersey.
Nancy Reddy is the author of Double Jinx (Milkweed Editions, 2015), selected by Alex Lemon for the 2014 National Poetry Series. Her poems have appeared in Poetry Daily, Verse Daily, Fail Better, Tupelo Quarterly, 32 Poems,Smartish Pace, and elsewhere. She is Assistant Professor of Writing and First Year Studies at Stockton University in southern New Jersey. ---------
 Dirge
 First the sky
 broken by birds
 flying at the wrong season.
 Then the heat goes & the breath goes out 
 & we are left alone & voiceless
 between the blue untextured sky
 & the terrible smooth water.
 And then the howling like the seam ripped out
 & all the under waters & the howling gods.
 After, the live oaks & honey locusts storm-shorn.
 The shorebirds’ great nests splintered
 & all the fishing houses split-legged & sodden.
 The dead lifted in their rotten boxes
 & left to bob in storm water. The shoreline
 carried out to sea.
 What is this raw & wind-worn place 
 we have survived into. The wrong gods
 roar into our lungs now.
 A weeping sound like that. Like those birds
 calling across the suddenly open water.
 The Siren of Barataria
 As a baby she was given to the swamp. 
 She was laid down in the reeds 
 & swaddled in the maidencane still summer-bright. 
 She cried one time and the boatman came running.
 He laid a dew-slick strip of swamp grass 
 on her tongue & when she swallowed it was sweet
 & struck her dumb.
 So it was not her voice 
 that called the waters from the gulf. 
 She never wished the winds, the cracking & the weeping 
 & the wailing sounds that came from town.
 The god found her as she slept below the overpass. 
 He stitched a feather collar along her clavicle
 & so gave her back her voice. After that 
 she was a songbird.
 They went on this way some time, singing & touching 
 as the waters rose & receded.
 Then, after several seasons’ calm, 
 the god found a farmhand whose ankle he longed to kiss. 
 The siren smelled the barnyard on him 
 & she knew.
 When the townsmen came to flush the winter game 
 with burning, the siren walked a slow loop in the lit grass. 
 The whole marsh smoked with smoldering peat.
 Her white dress caught & turned to ash.
 Town Anatomy II
[the Sibyls speak]
 Our tongues are marvelous,
 all fire & revelation.
 The men come
 dirty-haired & swamp-eyed.
 They kneel. We make them.
 & when the spirit comes
 we speak. When the spirit comes
 we are roaring & plate-eyed.
 It is like cicadas
 like a seawall
 in the skull.
 Not your indoor god, all candles
 & low hum. Though the men
 come not for answers, but to hear
 their words reflected
 in a woman’s pitch.
 The girls come only
 when they are swelled up
 & the trouble is on them heavy.
 Sometimes we let them sit
 the heavy months with us.
 Sometimes we take the trouble
 mewling from their breasts
 & kiss the trouble
 so it will learn to sing. Sometimes
 we leave it wailing below the cypress.
 After, the Sibyls Fall Out of Words
 No god moves us now
 so we are wordless & unhinged,
 like the dark-ribbed maidens
 lost to the gulf. We won’t have
 the men’s hands on us now. Not even
 the god like a horsemaster. 
 He’s just a whisper in the under
 now. When the rain comes
 we open our throats to it.
 When the storms come
 we are crucifixed to the pylons.
 Saved & spared are different
 & you will learn that now.
