 Rachel Inez Lane has moved away from Los Angeles to pursue a creative writing degree at Florida State University. Her writing has been in the Orlando Sentinel, Los Angeles Times, Boxcar Poetry Review, LA Review, and Rattle.
Rachel Inez Lane has moved away from Los Angeles to pursue a creative writing degree at Florida State University. Her writing has been in the Orlando Sentinel, Los Angeles Times, Boxcar Poetry Review, LA Review, and Rattle. 
---------
To a Child, I Won’t Have
After those street cleaners left, 
I climbed out my window, 
ran into the wet street 
and hid you atop a giant 
fig tree. 
I'll cover you whenever it's bitter. 
I'll blow on you whenever it's boiling. 
We shook on it. 
And throughout the years 
I fed you the Earth, 
but just the okay parts. 
I steal shoelaces to weave 
you mittens causing ankles to  
break, twist, and tear.  
Oh, you develop remarkable 
public appeal. Coloring contests 
are devoted to you, and portraits 
get hung of you on every 
steakhouse wall.  
The Sisters of Mercy  
weep under you until 
a moat is formed, where 
little girls visit, place their 
dolls in boats. They break 
their necks because they can't  
quit looking up at  
how dear you are. 
When you are old enough, 
I try to write you letters 
but make them into a tea 
that helps my joints snap 
into a truer place. At night-time, 
I stitch buttons on my chest, 
to hold myself, so I can see you 
through binoculars. Years go by 
and ships set sail in the innards 
of my collarbone, parts of me began 
to expire, my lungs—they fade first. 
Today I am dying, and I hear  
as the street cleaners.  
hmm hmm away.  
I climb out my window, 
skate to you down frozen, 
barren streets, and ascend 
the fig tree 
to give you my eyes, offer you 
my mouth, but spare you the teeth,  
the bruise. And as my organs start 
to curl around you 
like a helix, I think how sad 
it is that science never handled 
us properly.
