Issue IX, Volume III : May 2012
| Laura McCullough - Poetry |
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Panic, Redbank
The club down on Front Street around the corner from the comix shop, Jay and Silent Bob’s, and the line to get in so long that night, he left and sat on the curb by the ice cream place. That night the girl who passed out from mixing alcohol with prescription drugs-- the names of which were not released in the papers— died choking in her own vomit. She’d danced. She was pretty. No one remembered she’d gone to the bathroom though, until they found her in the stall. He was still on the curb, his sneakered feet lined up artfully, his pencil pants bleeding into their tops, the foundation of his panoply which he contemplated as the ambulance light chiseled through the drapery of his night. The Semantics of Panic
The New Year’s Eve fireworks done,
everyone funneling away from the river’s edge when the Redbank police had to close the alley, the police on either end saying, it won’t be long; there’s a VIP convoy, but this didn’t help the stranded party-goers, all seventy of them, especially those along the brick walls and less so for those in the very middle, a log jam after a hurricane has set everything loose upstream, garbage mixed with vegetation, a rising swell, and though it was no more than twelve or thirteen minutes, hot spots began to fester: the man who swung his arms wide to create a space for himself; then another man screaming, and a punch thrown over by the wall, the cops at both ends yelling, and the woman who closed her eyes, eased her body against the back of the man in front of her, how he leaned forward a little to hold the weight, let it fold over him like a warm cloak.
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