Issue IX, Volume III : May 2012
| Nicky Beer - Poetry |
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Oblation Thousands of dead octopuses have washed up on a beach in northern Portugal...They cover a 5-mile stretch of Vila Nova de Gaia beach—no reason has yet been found for their appearance. The authorities have warned the public not to eat them. —BBC News, January 3, 2010 A poem like being stranded on a beach: hour after hour unsnarling the littoral for flotsam. So what to do with this real shore, the thousands of real octopus corpses washed upon it? Disembodied dishwashers’ hands: flesh gelatinous and bismuthal, eight fingers naked and splayed for seagulls’ alms. But what if the shibboleth of this pebbled charnel is not give, but take? Perhaps now the gods make their offerings to us. Anything can become a bier— think of the pyramidal pile of mice in the fridge at the raptor rehab clinic, each a sterile white garnished with a little frozen flag of blood, and how the injured falcon absently turned one inside out, the soundless unzipping from whisker to tail. Or the tangle of maggots tumbling from the chest of the bluebird overturned with a hesitant stick: your revulsion was not of the worms, mild and pallid tildes, but the hunger that flexed them wildly in the air, the prescience that your rot would one day fatten them. A poem like being born behind a dead bird’s heart, eating your way into the light.
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